Wikienfk5 - User contributions [en]

Singapore

2010-12-12T20:47:35Z

Segab: /* English translation */

'''[http://draco.hfwu.de/~wikienfk5/index.php/Assignment_4:_Landscape_Concepts_in_comparison#Landscape_Concepts_by_country Back to Assignment 4: Landscape Concepts by country]'''

== Landscape Concept 1 ==

by: ''Gabriel Seah''

=== Original ===

''Please add your concept of landscape in original language and the source here...''

=== English translation ===

''Garden City to City in a Garden

Shortly after Singapore gained its independence in 1965, numerous visions for her development were proposed. Significantly relevant to the landscape development was the Garden City concept. Initiated by the former Prime Minister Lee Kuan Yew in 1968, it was a model that envisioned Singapore as a clean and green city.

The idea of Garden City was in fact adopted from Sir Ebenezer Howard’s Garden city movement. Founded in 1898, it was a answer to reduce the hazards accumulated in urban expansion. Its concept emphasised on the balance of residences, industry and agriculture.

However, the original plan was unsuitable for the small city so it was redefined to fit according to the context. Initially, the growth in Singapore was still viable by the formations of satellite cities surrounded by green belts. As the increase continues, there are simply no other ways the small city could develop according to the concept, which was planned for a population of only 250,000.

Despite the unsuitability, most of the fundamental ideas were either kept or followed closely. Transportation system connects every new town, linking every town by trains and buses. The good balance of city lives emphasised in the concept is also taken as a model in the development of Singapore, providing social services, justice, work and amenities necessary for better life quality within the city infrastructure. Large area of Singapore was still allocated to nature reserve, covering an area of approximately 3,043 hectares in the middle of the island.

During the early days of the movement, Singapore focused more on cleaning and greening of the space, which can be considered as more of a superficial treatment. A whole series of the green movement was set up to beautiful the Lion City. Roads and streets were all planted with vistas of green, parks were necessary community facilities in every neighbourhood and polluted rivers were also cleansed.

The Garden city has since been redefined and renamed City in the Garden. The revised phrase was not just simply a change in theme but within, enclosed a philosophical idea for the future of Singapore. The new idea would see Singapore develop into a 3 dimensional sustainable city. It will not only grow horizontally but also vertically, merging layers of sustainable factors and environmental features into its infrastructure, changing the whole urban DNA.

Today, the new movement is backed by numerous government agencies, each with its unique vision but a common goal of transforming Singapore into a City in a Garden.
''

== Landscape Concept 2 ==

by: ''Gabriel Seah''

=== Original ===

''Please add your concept of landscape in original language and the source here...''

=== English translation ===

''The Vertical Island

The following force has such immense influence that it shaped the tiny isle into sky scraping city. During its early days, the new political party was confronted with housing shortages. In order to solve this problem, the Government passed the Housing and Development Act in 1960. A statutory board, known as Housing and Development Board (HDB) was established to enforce the decree.
It was an unprecedented movement which saw 54,430 housing units built between 1960 and 1965 and for the first time high-rise and high-density flats built.

It swept across the nation like an unstoppable wave, renewing and redeveloping everything on its path. Areas, which are hit by the movement saw a distinct improvement in living quality. All homes are supplied with clean water, electricity and proper sanitation. But it also came with a huge price.
Many of the island's natural areas were cleared, deforested and flatted, to make way for the giant blocks. It was a total rebirth of the city, recreated into something no Singaporean has even seen. These significant changes not only created shortwave to the island inhabitants and also the environment. An effort to reduce the negative impact of the urbanization, the Garden City movement was adopted in 1968.

Along with the forest, many of the culture were also lost forever. People during the redevelopment period underwent a shock owning to the sudden change of environment.
There used to be a strong community association in the old housing fabric, it was called the kampong spirit. In these kampong communities, everyone was united, resources were shared, and protections were offered. People used to have more space, more open area for agricultural activities and were also closer to nature. All these were gone since the redevelopment, and it took years for people to recover from the culture shock.
There were efforts by people trying to move back into the woods, into the old way of living. Unfortunately, their efforts were overwhelmed by the rapid urbanization. Within years, urbanization has spread over every inch land, forcing everyone to relocate into these tall, hard, monstrous concrete blocks.
''

[[Category: Landscape Concept]]

Singapore

2010-12-12T20:43:51Z

Segab: /* Landscape Concept 2 */

'''[http://draco.hfwu.de/~wikienfk5/index.php/Assignment_4:_Landscape_Concepts_in_comparison#Landscape_Concepts_by_country Back to Assignment 4: Landscape Concepts by country]'''

== Landscape Concept 1 ==

by: ''Gabriel Seah''

=== Original ===

''Please add your concept of landscape in original language and the source here...''

=== English translation ===

''Garden City to City in a Garden

Shortly after Singapore gained its independence in 1965, numerous visions for her development were proposed. Significantly relevant to the landscape development was the Garden City concept. Initiated by the former Prime Minister Lee Kuan Yew in 1968, it was a model that envisioned Singapore as a clean and green city.
The idea of Garden City was in fact adopted from Sir Ebenezer Howard’s Garden city movement. Founded in 1898, it was a answer to reduce the hazards accumulated in urban expansion. Its concept emphasised on the balance of residences, industry and agriculture.
However, the original plan was unsuitable for the small city so it was redefined to fit according to the context. Initially, the growth in Singapore was still viable by the formations of satellite cities surrounded by green belts. As the increase continues, there are simply no other ways the small city could develop according to the concept, which was planned for a population of only 250,000.
Despite the unsuitability, most of the fundamental ideas were either kept or followed closely. Transportation system connects every new town, linking every town by trains and buses. The good balance of city lives emphasised in the concept is also taken as a model in the development of Singapore, providing social services, justice, work and amenities necessary for better life quality within the city infrastructure. Despite the scarce land, large area of Singapore was still allocated to nature reserve, covering an area of approximately 3,043 hectares in the middle of the island.
During the early days of the movement, Singapore focused more on cleaning and greening of the space, which can be considered as more of a superficial treatment. A whole series of the green movement was set up to beautiful the Lion City. Roads and streets were all planted with vistas of green, parks were necessary community facilities in every neighbourhood and polluted rivers were also cleansed.
Today, the Garden city has been redefined and renamed City in the Garden. The revised phrase was not just simply a change in theme but within, enclosed a philosophical idea for the future of Singapore. The new idea would see Singapore develop into a 3 dimensional sustainable city. It will not only grow horizontally but also vertically, merging layers of sustainable factors and environmental features into its infrastructure, changing the whole urban DNA.
Today, the new movement is backed by numerous government agencies, each with its unique vision but a common goal of transforming Singapore into a City in a Garden.
''

== Landscape Concept 2 ==

by: ''Gabriel Seah''

=== Original ===

''Please add your concept of landscape in original language and the source here...''

=== English translation ===

''The Vertical Island

The following force has such immense influence that it shaped the tiny isle into sky scraping city. During its early days, the new political party was confronted with housing shortages. In order to solve this problem, the Government passed the Housing and Development Act in 1960. A statutory board, known as Housing and Development Board (HDB) was established to enforce the decree.
It was an unprecedented movement which saw 54,430 housing units built between 1960 and 1965 and for the first time high-rise and high-density flats built.

It swept across the nation like an unstoppable wave, renewing and redeveloping everything on its path. Areas, which are hit by the movement saw a distinct improvement in living quality. All homes are supplied with clean water, electricity and proper sanitation. But it also came with a huge price.
Many of the island's natural areas were cleared, deforested and flatted, to make way for the giant blocks. It was a total rebirth of the city, recreated into something no Singaporean has even seen. These significant changes not only created shortwave to the island inhabitants and also the environment. An effort to reduce the negative impact of the urbanization, the Garden City movement was adopted in 1968.

Along with the forest, many of the culture were also lost forever. People during the redevelopment period underwent a shock owning to the sudden change of environment.
There used to be a strong community association in the old housing fabric, it was called the kampong spirit. In these kampong communities, everyone was united, resources were shared, and protections were offered. People used to have more space, more open area for agricultural activities and were also closer to nature. All these were gone since the redevelopment, and it took years for people to recover from the culture shock.
There were efforts by people trying to move back into the woods, into the old way of living. Unfortunately, their efforts were overwhelmed by the rapid urbanization. Within years, urbanization has spread over every inch land, forcing everyone to relocate into these tall, hard, monstrous concrete blocks.
''

[[Category: Landscape Concept]]

Singapore

2010-12-12T20:07:33Z

Segab: /* Landscape Concept 1 */

File:Concept map .jpg

2010-11-28T20:40:19Z

Segab: uploaded a new version of "Image:Concept map .jpg"

Future Landscapes Group 6

2010-11-27T15:34:18Z

Segab: /* Comparative Analysis */

--> Back to [[Assignment_3:_Future_landscapes|overview of assignment 3]]

== Case Studies ==
=== [[Case Study Montevideo 3]] ===
=== [[Case Study Nürtingen 2]] ===

== Core Questions ==
''Attention: this is a dynamic page list, the answers written in your case studies will appear automatically here. Do not edit this second paragraph.''

=== In how far does this project reveal your concept of future landscapes? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 1: In how far does this project reveal your concept of future landscapes?
</DPL>

=== What is the role of landscape architecture in this project? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 2: What is the role of landscape architecture in this project?
</DPL>

== Comparative Analysis ==
*Which major similarities and differences could you identify in those two case studies?

''Please write your thoughts here''

[[Image:Concept map .jpg|right|300x300px]]== Synthesis and Outlook ==

''please write your thoughts here, you may add concept maps and sketches.''

[[#toc|'''Back to top''']]

[[Category:Assignment Future Landscapes]]

Future Landscapes Group 6

2010-11-27T15:33:47Z

Segab: /* Comparative Analysis */

--> Back to [[Assignment_3:_Future_landscapes|overview of assignment 3]]

== Case Studies ==
=== [[Case Study Montevideo 3]] ===
=== [[Case Study Nürtingen 2]] ===

== Core Questions ==
''Attention: this is a dynamic page list, the answers written in your case studies will appear automatically here. Do not edit this second paragraph.''

=== In how far does this project reveal your concept of future landscapes? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 1: In how far does this project reveal your concept of future landscapes?
</DPL>

=== What is the role of landscape architecture in this project? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 2: What is the role of landscape architecture in this project?
</DPL>

== Comparative Analysis ==
*Which major similarities and differences could you identify in those two case studies?

''Please write your thoughts here''

[[Image:Concept map .jpg|right|200x200px]]== Synthesis and Outlook ==

''please write your thoughts here, you may add concept maps and sketches.''

[[#toc|'''Back to top''']]

[[Category:Assignment Future Landscapes]]

Future Landscapes Group 6

2010-11-27T15:33:06Z

Segab: /* Comparative Analysis */

--> Back to [[Assignment_3:_Future_landscapes|overview of assignment 3]]

== Case Studies ==
=== [[Case Study Montevideo 3]] ===
=== [[Case Study Nürtingen 2]] ===

== Core Questions ==
''Attention: this is a dynamic page list, the answers written in your case studies will appear automatically here. Do not edit this second paragraph.''

=== In how far does this project reveal your concept of future landscapes? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 1: In how far does this project reveal your concept of future landscapes?
</DPL>

=== What is the role of landscape architecture in this project? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 2: What is the role of landscape architecture in this project?
</DPL>

== Comparative Analysis ==
*Which major similarities and differences could you identify in those two case studies?

''Please write your thoughts here''

[[Image:Concept map .jpg|right|100x100px]]== Synthesis and Outlook ==

''please write your thoughts here, you may add concept maps and sketches.''

[[#toc|'''Back to top''']]

[[Category:Assignment Future Landscapes]]

Future Landscapes Group 6

2010-11-27T15:32:33Z

Segab: /* Synthesis and Outlook */

--> Back to [[Assignment_3:_Future_landscapes|overview of assignment 3]]

== Case Studies ==
=== [[Case Study Montevideo 3]] ===
=== [[Case Study Nürtingen 2]] ===

== Core Questions ==
''Attention: this is a dynamic page list, the answers written in your case studies will appear automatically here. Do not edit this second paragraph.''

=== In how far does this project reveal your concept of future landscapes? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 1: In how far does this project reveal your concept of future landscapes?
</DPL>

=== What is the role of landscape architecture in this project? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 2: What is the role of landscape architecture in this project?
</DPL>

== Comparative Analysis ==
*Which major similarities and differences could you identify in those two case studies?

''Please write your thoughts here''

[[Image:Concept map .jpg|right|20x20px]]== Synthesis and Outlook ==

''please write your thoughts here, you may add concept maps and sketches.''

[[#toc|'''Back to top''']]

[[Category:Assignment Future Landscapes]]

Future Landscapes Group 6

2010-11-27T15:30:23Z

Segab: /* Comparative Analysis */

--> Back to [[Assignment_3:_Future_landscapes|overview of assignment 3]]

== Case Studies ==
=== [[Case Study Montevideo 3]] ===
=== [[Case Study Nürtingen 2]] ===

== Core Questions ==
''Attention: this is a dynamic page list, the answers written in your case studies will appear automatically here. Do not edit this second paragraph.''

=== In how far does this project reveal your concept of future landscapes? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 1: In how far does this project reveal your concept of future landscapes?
</DPL>

=== What is the role of landscape architecture in this project? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 2: What is the role of landscape architecture in this project?
</DPL>

== Comparative Analysis ==
*Which major similarities and differences could you identify in those two case studies?

''Please write your thoughts here''

== Synthesis and Outlook ==

''please write your thoughts here, you may add concept maps and sketches.''

[[#toc|'''Back to top''']]

[[Category:Assignment Future Landscapes]]

Future Landscapes Group 6

2010-11-27T15:30:06Z

Segab: /* Synthesis and Outlook */

--> Back to [[Assignment_3:_Future_landscapes|overview of assignment 3]]

== Case Studies ==
=== [[Case Study Montevideo 3]] ===
=== [[Case Study Nürtingen 2]] ===

== Core Questions ==
''Attention: this is a dynamic page list, the answers written in your case studies will appear automatically here. Do not edit this second paragraph.''

=== In how far does this project reveal your concept of future landscapes? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 1: In how far does this project reveal your concept of future landscapes?
</DPL>

=== What is the role of landscape architecture in this project? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 2: What is the role of landscape architecture in this project?
</DPL>

== Comparative Analysis ==
*Which major similarities and differences could you identify in those two case studies?

''Please write your thoughts here''

<Image:Concept map .jpg>
== Synthesis and Outlook ==

''please write your thoughts here, you may add concept maps and sketches.''

[[#toc|'''Back to top''']]

[[Category:Assignment Future Landscapes]]

Future Landscapes Group 6

2010-11-27T15:27:56Z

Segab: /* Synthesis and Outlook */

--> Back to [[Assignment_3:_Future_landscapes|overview of assignment 3]]

== Case Studies ==
=== [[Case Study Montevideo 3]] ===
=== [[Case Study Nürtingen 2]] ===

== Core Questions ==
''Attention: this is a dynamic page list, the answers written in your case studies will appear automatically here. Do not edit this second paragraph.''

=== In how far does this project reveal your concept of future landscapes? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 1: In how far does this project reveal your concept of future landscapes?
</DPL>

=== What is the role of landscape architecture in this project? ===

<DPL>
category=Future Landscapes Group 6 Case Study
mode=ordered
include = #Core Question 2: What is the role of landscape architecture in this project?
</DPL>

== Comparative Analysis ==
*Which major similarities and differences could you identify in those two case studies?

''Please write your thoughts here''

<Image:Concept map .jpg>
== Synthesis and Outlook ==

''please write your thoughts here, you may add concept maps and sketches.''

[[#toc|'''Back to top''']]

[[Category:Assignment Future Landscapes]]

File:Concept map .jpg

2010-11-27T15:23:50Z

Segab:

Talk:Case Study Nürtingen 2

2010-11-25T23:02:47Z

Segab:

== Montevideo group 03 on Nürtingen group 02 (Gabriel, Nemanje + Beate) selected project ==

We found the selected project really interesting and captivating. The general considerations that justify their choice (the use of local materials, the simplicity and elegance of its design, its subtle inclusion within a historic and well defined area, its self-reliance energy , its strong and local rooted narrative, and its poetic dialogue with the elements of nature) are very compelling.
We also share the team's ethical stance in relation to global warming, environmental pollution and the disciplinar commitment with these problems.
Similarly, regarding the need to measure the impact of our actions and decisions from the perspective of design (as quoted to in the article by Craig Pocock) is also very compelling.

Notwithstanding these considerations, after seeing the project and its context, we raise some questions:

Should it be the landscape conceived as a work of art (produced by an individual person or group) as an interesting urban attraction, as Nicola states, or as the provisional result of a complex and collective process? Is this a false opposition?

Is there a difference between a work of art, a spectacle and a landscape?

What happens when individual interventions start to accumulate in a limited area?
Does not this imply entering a regime similar to that of an amusement park?

An installation suggests something "fragile, provisional, removable and that is able to be re-used. Was this project conceived in these terms?

The formal simplicity of the proposal contrasts with the technological complexity that makes it work and that gives the meaning to the project. What should be the relationship between landscape and technology, thinking of technology obsolescence in the context of an environmentally friendly design?

Must the landscape of the future be necessarily linked to technological sophistication?

'''Nürtingen group 02'''

We believe there are no definitions to which how a landscape should be perceived; it could be of any shapes, form or wherever you might name it. It would be impossible to define how a designed landscape should resemble.Sometimes they might appear as works of art and sometimes as a part of nature and occasionally radical interventions. But most of the time, beyond the forms of these works, we discover narrations which explains its existence and this should be the mainstay.

An internationally renowned landscape architect, Maya Lin has showcased works that are of the simplest forms. To name one such project, we can refer to the Vietnam War Memorial in Washington, USA. Consists of nothing more than a cut into the ground, its design speaks of not only its environment, its metaphorical contour but also the human emotions.

Thus, any effort to categorize how landscapes should be perceived ought to be considered as a hindrance to the otherwise creative, expressive and philosophical creation.

That will highly depend on your perspective of an amusement park. In our opinion, an amusement park is a place of entertainment; they bring joy, relaxation and excitement to people. If a landscape project has the qualities of being responsive and sensitive to its environment and furthermore picture as an amusement park, I would consider it a successful installation and maybe could even name it ‘Amuse-scape’.
In addition, this ‘Amuse-scape’ highly flexible in its usage is equipped with LED lights that are programmable and interchangeable to exhibit vast varieties of displays, tailored to appropriate occasion, therefore it is referred to as an installation by Nikola .

From here we come to the very last question, which is the combination of technology with landscape. What do you see in technology? Is it a gift or a curse? Technology has indeed caused a major inbalance on our planet. Ironically, it is also undeniably one of the most effective solutions to its own deeds.

At the moment, the married of technology and landscape has created bursts of positive waves to the environment. It is increasingly observable that majority of the landscape projects are incorporating technologies into their design. These projects involved everything from extremely simple to complex technical details nevertheless sophistication was never an issue. Unless one day it is proven that technological sophistication produces in any way negative impact on the environment, we should continue to explore the possibilities of it.

Ultimately, the future landscape should consider and continue to explore all kinds of potential that are able to unravel the global issues we are facing today and in the future.

Talk:Case Study Montevideo 3

2010-11-23T22:45:34Z

Segab:

In review of the case study of Montevideo, it seems to have the problem as most cities in South America. The problem arises when cities are not economically strong enough to support its population and these could be link to many factors, such as global economics, political infrastructures, climate change and more...From my understanding, Montevideo is not spared from those affecting factors.

As mentioned, there exist 23% of the population are still living in poverty, that is equivalent to an estimated number of 345000 people. The question I would like to pose is the living conditions of this population. Are they living in slums environment? Are they living near to the park project as mentioned?

If the answer is yes and that they are living in slums environment, then I will find the park fairly irrelevant. A beautiful community park and clean energy in the city would no doubt create positive waves in the urban context but with such a high poverty ratio, an urban plan to improve the slum conditions might seems to be a more appropriate approach and should be on the top priority. Furthermore, it is clear that the city has limited funding and that is the reason why it chose to surrender its environment for dirty industrial uses.

It would make it even more unfeasible when the park is not located within walking distance from the troubled population. Transportation, time and effort would only deter this group from patronizing the space. Which means the initiative proposed would has no direct impact on the wound in the society.
The slum environment is the sum of survival necessities, created on the most honest basic, nothing too much, nothing too less, just enough to sustain life. It is an infrastructure that should be improved and not remove.

The shifting of interests away from the trouble landscape is a movement to isolate or even eliminate it. That would likely to result in an inbalance in the society, which would in terms interrupt with the growth of the city.

In conclusion, main consideration should be focus on improving life of the poverty, even if the population are not living in slum conditions. Their neighbourhood should be studied critically and prescribe with the best remedy, to upgrade its infrastructure, such as schools, kitchen gardens, social services and social spaces right in the very heart of these communities.

Talk:Case Study Montevideo 3

2010-11-23T22:04:37Z

Segab: New page: In review of the case study of Montevideo, it seems to have the problem as most cities in South America. The problem arises when cities are not economically strong enough to support its po...

In review of the case study of Montevideo, it seems to have the problem as most cities in South America. The problem arises when cities are not economically strong enough to support its population and these could be link to many factors, such as global economics, political infrastructures, climate change and more...From my understanding, Montevideo is not spared from those affecting factors.

As mentioned, there exist 23% of the population are still living in poverty, that is equivalent to an estimated number of 345000 people. The question I would like to pose is the living conditions of this population. Are they living in slums environment? Are they living near to the park project as mentioned?
If the answer is yes and that they are living in slums environment, then I will find the park fairly irrelevant. A beautiful community park and clean energy in the city might create positive waves in the urban context but with such a high poverty ratio, an urban plan to improve the slum conditions might seems to be more appropriate approach and should be on the top priority. Furthermore, it is clear that the city has limited funding and that is the reason why it chose to surrender its environment for dirty industrial uses.

It would make it even more unfeasible when the park is not located within walking distance from the troubled population. Transportation, time and effort would only deter this group from patronizing the space. Which means the initiative proposed would has no direct impact on the wound in the society.
The slum environment is the sum of survival necessities, created on the most honest basic, nothing too much, nothing too less, just enough to sustain life. It is an infrastructure that should be improved and not remove.

The shifting of interests away from the trouble landscape is a movement to isolate or even eliminate it. That would likely to result in an inbalance in the society, which would in terms interrupt with the growth of the city.

In conclusion, main consideration should be focus on improving life of the poverty, even if the population are not living in slum conditions. Their neighbourhood should be studied critically and prescribe with the best remedy, to upgrade its infrastructure, such as schools, kitchen gardens, social services and social spaces right in the very heart of these communities.

Case Study Nürtingen 2

2010-11-22T20:31:20Z

Segab: /* Landscape and/or urban context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:Location Zadar.jpg]]

|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="350" height="350">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out,right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spices<http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html>.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar was fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early days, trading activities are carried out, city grew economically strong and opportunities are created. Population increased, life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, fishermen, traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text
Image:Program.jpg
|your image text
Image:Design.jpg
|your image text
Image:Users.jpg
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T14:52:58Z

Segab: /* Core Question 1: In how far does this project reveal your concept of future landscapes? */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:Location Zadar.jpg]]

|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="350" height="350">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out,right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spices<http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html>.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T14:04:53Z

Segab:

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:Location Zadar.jpg]]

|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="350" height="350">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spices<http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html>.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T14:04:23Z

Segab:

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:Location Zadar.jpg]]

|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="500" height="500">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spices<http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html>.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

File:Location Zadar.jpg

2010-11-22T13:57:04Z

Segab: uploaded a new version of "Image:Location Zadar.jpg"

Case Study Nürtingen 2

2010-11-22T13:55:06Z

Segab:

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:Location Zadar.jpg]]

|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spices<http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html>.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:39:56Z

Segab: /* Landscape and/or urban context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [Image:Location Zadar.jpg]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spices<http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html>.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:36:44Z

Segab:

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [Image:Location Zadar.jpg]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:36:11Z

Segab:

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [Image:Location Zadar.jpg
|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:35:43Z

Segab:

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:Location Zadar.jpg
|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

File:Location Zadar.jpg

2010-11-22T10:34:00Z

Segab:

Case Study Nürtingen 2

2010-11-22T10:31:47Z

Segab:

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''Greeting to the Sun|-
| '''Location''' || style="background:Lavender"|''Zadar''
|-
| '''Country''' || style="background:Lavender"|''Croatia''
|-
| '''Office''' || style="background:Lavender"|''Nikola Bašic''
|-
| '''Client''' || style="background:Lavender"|City of Zadar''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:29:42Z

Segab: /* Core Question 1: In how far does this project reveal your concept of future landscapes? */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a prefect future landscape.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:28:24Z

Segab: /* Landscape and/or urban context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a perfect future landscape of my concept.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Image:ZadarCroatiaS1.JPG
|your image text

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:26:47Z

Segab: /* Spatial analysis of area/project/plan */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a perfect future landscape of my concept.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Bullet points, image, background notes

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

'''Spatial analysis of area/ project/plan'''

Located at the very tip of the ancient city, the site presented a series of sensitivity factors that have to be deal carefully. What used to be a trading port has now become a harbor for massive cruise liners, bringing in international mass crowd.

Within a few hundred meters away is a Unesco protector site, protected area includes not only the Romanesque architecture but also the which a historical Roman forum.

The site stands on a promenade between a new cruise harbor and the ancient city. It is therefore, a transitional point between international and homeland, tourists and the city, nature and urban, contemporary and ancient.

A part of this seafront contained also a promenade, very dear to the Zadar citiziens, but due to its small depth not in operative function. It used to be neglected,very dark and deserted in the part where the sea organ is located today. That was the reason for my decision to revitalize this space by providing it with an interesting urban attraction(Nikola 2008).

Decision was made revamp the promenade, Which resulted in two outstanding projects. The first was Sea Organ and the second was Greeting to the Sun, both created by the same architect.

The earlier installation, “The Sea Organ” is an installation which produces sound through its pipe structure according to the rhythm of sea waves.

A beautiful piece of landscape installation that engage relationship between man-made element and nature. It is a contemporary structure but at the same time designed with great consideration for the cultural heritage of the ancient city. Using only limestone from the region it tackles the ecological and cultural aspects . It was also a project that received worldwide recognitions. The installation was made renowned and has since become a tourist attractions.

Due to the success, the city commissioned Nikola Basic for another project which is just a few meters away from the Sea Organ. The new installation would thus be a part of the new city development plan.

In other words, the city is in need of a project that will see the city into the future but at the same time present its historical heritage and culture.

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:25:16Z

Segab: /* Cultural/social/political context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a perfect future landscape of my concept.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Bullet points, image, background notes

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:24:03Z

Segab: /* Cultural/social/political context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a perfect future landscape of my concept.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

=== Cultural/social/political context===
'''Cultural/ Social/ Political context'''

The geographical location and history have the biggest part to play in the culture of Zadar. The location of the city greatly shaped how people lived their lives. It was first established because of its coastline, an ideal coastline for a port.

In the early, trading activities are carried out, economy grew and opportunities are created. Population increased, whose life survival revolves around the sea, thus forming a strong culture between human and nature. Large number of the population lived their life as expert seaman, Fishermen traders and merchant. The Liburnians were known as great sailors and merchants, but also had a reputation for piracy in the later years <http://en.wikipedia.org/wiki/Zadar>.

As a colony of the Roman Empire, Roman Catholic has a significant influence over the land since the very beginning. This resulted in a number of churches and monasteries.

At the present moment, Zadar is a powerful cultural and economic city whose life is comfortable all year round. It is also a tourist’s magnet, attracting mass of visitors every year. Thanks to its political efforts and Unesco, historical heritage are preserved, beautiful coastlines are maintained and magnificent natural landscapes are reserved. Under the legal framework, majority of the structures in the ancient city are considered ‘untouchable’ and highest priorities are given to preservation of historical monuments, structure and cultural aspects.

Despite its high level of preservation, the ancient city provides combinations of the past, present and future. Visit the traditional events or contemporary events like the full moon nights, Zadar dreams, Millennium jump, Kalelarga art... Enjoy the Mediterranean cuisine, taste the sweet Maraschino cherry liqueur, and take a swim from one of the sandy beaches in the Zadar area!
<http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html>.

Major industries include tourism, traffic, seaborne trade, agriculture, fishing and fish farming activities, metal manufacturing and mechanical engineering industry, chemicals and non-metal industry and banking<http://en.wikipedia.org/wiki/Zadar>.

The city is also enjoying economy blooms, which boost sequences of new infrastructure to the City. These new proposal includes luxury apartments, huge shopping malls and also water treatment plants and are mostly located within the new urban part of Zadar, which is separated from the ancient city by a waterway. Although divided and located away from the historical sections, these new proposed plan has everything to do with the old city. Zadar is the only Croatian city to be fully prepared for the arrival of the highway, with completed urban and development plans; the city has attracted many investors who have already pumped hundreds of millions of euros into the Zadar region
(Zeljko 2008)

Zadar continues to grow and development into the future but at the same time, preservations is emphasized on its long and unique heritage.

Illustration:
Bullet points, image, background notes

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:22:06Z

Segab: /* Landscape and/or urban context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a perfect future landscape of my concept.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''

Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

=== Cultural/social/political context===
*Brief explanation of culture, political economy, legal framework

Illustration:
Bullet points, image, background notes

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:21:45Z

Segab: /* Landscape and/or urban context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a perfect future landscape of my concept.

=== Landscape and/or urban context===
'''Biogeography'''

The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''
Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

=== Cultural/social/political context===
*Brief explanation of culture, political economy, legal framework

Illustration:
Bullet points, image, background notes

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

Case Study Nürtingen 2

2010-11-22T10:21:19Z

Segab: /* Landscape and/or urban context */

---> back to overview of [[Future Landscapes Group 6]]

'''add your case study title''' by ''add authors''

{| align="right" width="300pt" style="background:Gainsboro; color:black"
|-
| '''Name''' ||style="background:Lavender"| ''name of project''
|-
| '''Location''' || style="background:Lavender"|''location''
|-
| '''Country''' || style="background:Lavender"|''country''
|-
| '''Office''' || style="background:Lavender"|''office or planner/designer''
|-
| '''Client''' || style="background:Lavender"|''please enter the client here''
|-
| '''Completion''' || style="background:Lavender"|''Please enter the date of completion''
|-
| colspan="3" align="center" style="background:silver"| [[Image:projectimage.jpg|300px]]
|-
| ||style="background:Lavender"|
|-
| colspan="3" align="center" style="background:silver"| <googlemap version="0.9" lat="-23.581609" lon="-46.590271" type="satellite" zoom="9" width="300" height="250">
</googlemap>
|}

=== Core Question 1: In how far does this project reveal your concept of future landscapes? ===
'''Core Question 1
In how far does this project reveal your concept of future landscapes?'''

In the present conditions of our planet, the climate change is fight that everyone has to be involved in. There are no differences in regards to your social background; it is affecting every single one of us on this planet. Although it is everybody’s war, certain professional has a bigger role to play than the others and one of them definitely is profession of Landscape architects.

Landscape architects have the potential to be on the frontline of tackling the issues; we are trained to plan and design for a better quality lifestyle. Our work provides comfort to people, which is a lacking factor in the solution against climate change. Most great ideas are either neglected or abandon, not because of its ability to reduce the green house gases but because of its ability to provide comfort.
We are constantly redefining comfort and providing effortless solutions to climate change, which can already be found in most of our designed space. However, the success of most landscape projects are witness only after the project completion and tested with accurate analysis the amount green house gases reduced. How about during the construction period, are there any tests to show much harmful gas that is released due to the project’s implementations?

As mentioned in an article “The Carbon Landscape” written by Craig Pocock 20, he worked out a conservative carbon footprint for the materials he has specified over the last fourteen years and offset it with the amount of trees he has planted. The results were astonishing; in carbon volume (tons) he has in fact released a total amount of 15475 tons into the atmosphere and was only able to offset 498 tons in total.

As a Landscape architect, we should not only reduce the green house gases in our already polluted atmosphere but also stop the emission of such gases. There is a need for us to rethink how our projects are carried out, right from the very beginning. Every materials and methods have to be analyzed and reconsidered.

Future landscape should be installations that does not requires lots of transportations, constructions, and should cater to the contemporary needs and responsive to the cultural, economy and historical context. Most of all, it should be in harmony with nature and should poses little or no impact on the natural environment.

In reference to the discussed project, “Greeting to the Sun” by Nikola Basic, the installation, in my opinion has most of my concepts of a future landscape. Other than modular glass panels and steel, the project consists of only local limestone. This could be easily obtained within the territory. The design itself is simple, elegant, near invisible and poses no conflict to the existing historical site and at the same time present a strong narration of the cultural heritage of the city. Furthermore, the project produced enough energy to function on its own and even sufficient to power the entire port, greatly reduces the carbon footprint of the area. Last but not least, it integrates with the environment, creating a poetic dialogue with the sea and sun.

In conclusion, the project eliminates carbon emission and responds to the fragile site sensitively. If given the opportunity, I will hope that the project could also feature functions in absorbing harmful pollutants. That will overall be a perfect future landscape of my concept.

=== Landscape and/or urban context===
'''Biogeography'''
The city of Zadar is surrounded by mountains, sea and flat land. The different attitudes presents varieties of flora and fauna.

Wildlifes like the wolves, mountain goats and bears are frequently spotted in the mountain forests.

A large area of Zadar is dedicated to National Parks. Several are situated in the mountainous region and four of them in coastal region.

An amazing number of fishes can be spotted just along the coastline of the city. That will include also dolphins.

Kornati Islands in Zadar are the wildest and most indented archipelago of islands of Croatia. It consists of about 147 isles and rocks. Most of the areas are unpopulated. The park has a deep bay that is 9 kilometers long and 1 - 2 km wide. In all there are 25 bays, 5 isles and a Mediterranean vegetation of nearly 300 spiceshttp://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html.

'''Cultural features, Overall Character and History'''Although critical to the development of the city, the prefect geological formations does not comprises of only wealth and growth. During the early medieval ages till the late 20th century, Zadar went through a series of triumphs, wars, rulings and destructions. As a result, both its political and physical landscape were constantly destroyed, rebuilt and evolved.

The days of Roman domination has left the city with Roman urban character. The town was planned with typical Roman system that organised the town into rectangular street plan. A forum, thermae, a sewage and water supply system was all part of the master plan. Which has all became part of the unique character of Zadar <http://en.wikipedia.org/wiki/Zadar>.

The history of instability cost it to lose most of the historical structures, most prominently were those built during the Roman Empire. In the events of reconstruction, the city constructed new buildings instead of replicating these structures to its original appearances. About the same time (6th century) it was hit by an earthquake, which destroyed entire complexes of monumental Roman architecture, whose parts would later serve as material for building houses<http://en.wikipedia.org/wiki/Zadar> . That contributed to the many different architecture styles existing in Zadar, according to the period in they were rebuilt. Most of the significant historical buildings still existing are made up of generally Romanesque architecture houses<http://en.wikipedia.org/wiki/Zadar>.

Although new building emerged, the soul of the city’s long heritage are well preserved within the new structures. Many of its structures still bear the same materials that were once used in the ancient construction. Walking through the ancient city, one can witness the textures and colors of the centuries old limestone in the buildings.

In defense to the threats from multiple nations, the city of Zadar is fortified with walls and towers offering protections from both the sea and inland. These walls have long existed since the Roman Empire and have been intensively strengthened along with its history to block off invaders. The walls and towers thus became a biography of the city, not only documenting the events and occurrences but it actually grew with the city. Under Venetian rule, Zadar was subjected to attacks from the Ottomans, so city defences were fortified as the building of new walls commenced in the 16th century <http://www.visit-croatia.co.uk/northdalmatia/zadar.htm>.

Illustration:
Map; sketches; short descriptive analyses

=== Cultural/social/political context===
*Brief explanation of culture, political economy, legal framework

Illustration:
Bullet points, image, background notes

=== Spatial analysis of area/project/plan===
*What are the main structural features?
*How has it been shaped? Were there any critical decisions?

Illustration: Map/diagram/sketches photos and background notes

=== Analysis of program/function ===
* What are the main functional characteristics?
* How have they been expressed or incorporated?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of design/planning process ===
* How was the area/project/plan formulated and implemented?
*Were there any important consultations/collaborations?
Illustration: Map/diagram/sketches photos and background notes

=== Analysis of use/users ===
* How is the area/project/plan used and by whom?
* Is the use changing? Are there any issues?
Illustration: Map/diagram/sketches photos and background notes

=== Core Question 2: What is the role of landscape architecture in this project? ===

=== You may add 1-2 more core questions as discussed in your group ===

=== Image Gallery ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:ZadarCroatiaS1.JPG
|your image text
Image:ZadarCroatiaS2.JPG
|your image text
Image:ZadarCroatiaS3.JPG
|your image text
Image:ZadarCroatiaS4.JPG
|your image text
Image:ZadarCroatiaS5.JPG
|your image text
Image:ZadarCroatiaS6.JPG
|your image text

</gallery>

=== References ===

Issues: Wildlife in Zadar , 2010 [online].
Available from: http://travel.mapsofworld.com/croatia/zadar-tours/wildlife-in-zadar.html
[Accessed 12 November 2010]

Zadar, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Zadar, Main Sights Architecture 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Zadar
[Accessed 19 November 2010]

Visit Croatia, 2009 [online].
Available from: http://www.visit-croatia.co.uk/northdalmatia/zadar.htm
[Accessed 20 November 2010]

Zadar, 2009 [online].
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Željko, R., 2004. ZADAR'S ECONOMIC BOOM [online]. Nacional Neovisni News Magazin.
Available from: http://www.nacional.hr/en/clanak/18440/new-highway-makes-zadar-more-successful-than-zagreb
[Accessed 20 November 2010]

Barbara, S., 2008. An interview of Mr. Nikola Bašić [online]. CROWN Croatian World Network.
Available from: http://www.croatia.org/crown/articles/9541/2/Spectacular-Monument-to-The-Sun-in-the-city-of-Zadar-by-Nikola-Ba%B9i%E6
[Accessed 20 November 2010]

Zadar Attractions : The Greeting to the Sun and Sea Organ, 2010 [online]. FIND CROATIA.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 20 November 2010]

Craig, P., -. The Carbon Landscape [online]. Carbon Landscape.
Available from: http://www.carbonlandscape.co.nz/
[Accessed 21 November 2010]
---
[[Category:Case Study]]
[[Category:Future Landscapes Group 6 Case Study]]
About categories: You can add more categories with this tag: "[[Image References]]", add your categories

'''Image References'''

Fig.6., Pula, 2010 [online]. Wikipedia
Available from: http://en.wikipedia.org/wiki/Pula
[Accessed 19 November 2010]

Fig.7,11,12,13,14,16., Zadar, 2009[online]. Adriatic Traveller.
Available from:http://www.adriatictraveller.com/ru/destinations-croatia/north-dalmatia/zadar.html
[Accessed 19 November 2010]

Fig.8., University of Zadar, 2002 [online].
Availablefrom:http://www.allthelyrics.com/forum/general-discussion/46447-home-sweet-home.html
[Accessed 20 November 2010]

Fig.10., Stadt Tor Porta terraferma, 2010 [online]. Wikipedia
Available from: http://commons.wikimedia.org/wiki/File:Stadt_Tor_Porta_terraferma,_Zadar_8.JPG
[Accessed 21 November 2010]

Fig.15., Welcome to Zadar, 2010 [online]. ArrivalGuides.com
Available from: http://beta.arrivalguides.com/en/Travelguides/Europe/Croatia/ZADAR
[Accessed 21 November 2010]

Fig.17., Sea Organ, 2008 [online]. Oddmusic Homepage.
Available from: http://www.oddmusic.com/gallery/om24550.html
[Accessed 21 November 2010]

Fig.19,20., Greeting to the Sun,2008 [online].
Availablefrom:http://rijekadailyphoto.blogspot.com/2008_10_01_archive.html
[Accessed 21 November 2010]

Fig.21., The Greeting to the Sun,2010 [online].
Availablefrom: http://www.visitzadar.net/events.php?id=9&el_id=2413
[Accessed 21 November 2010]

File:ZadarCroatiaS6.JPG

2010-11-22T10:16:08Z

Segab: uploaded a new version of "Image:ZadarCroatiaS6.JPG"

File:ZadarCroatiaS5.JPG

2010-11-22T10:15:41Z

Segab: uploaded a new version of "Image:ZadarCroatiaS5.JPG"

File:ZadarCroatiaS4.JPG

2010-11-22T10:15:09Z

Segab: uploaded a new version of "Image:ZadarCroatiaS4.JPG"

File:ZadarCroatiaS3.JPG

2010-11-22T10:14:35Z

Segab: uploaded a new version of "Image:ZadarCroatiaS3.JPG"

Case Study Nürtingen 2

2010-11-22T10:10:12Z

Segab: /* References */

Case Study Nürtingen 2

2010-11-22T10:09:41Z

Segab: /* References */

Case Study Nürtingen 2

2010-11-21T20:24:16Z

Segab: /* References */

Case Study Nürtingen 2

2010-11-21T20:23:52Z

Segab: /* References */

Case Study Nürtingen 2

2010-11-21T20:23:10Z

Segab: /* References */

Case Study Nürtingen 2

2010-11-21T20:22:22Z

Segab: /* Core Question 1: In how far does this project reveal your concept of future landscapes? */

Case Study Nürtingen 2

2010-11-21T20:21:21Z

Segab: /* Core Question 1: In how far does this project reveal your concept of future landscapes? */

Case Study Nürtingen 2

2010-11-21T20:20:35Z

Segab: /* Image Gallery */

File:ZadarCroatiaS6.JPG

2010-11-21T20:19:32Z

Segab:

Case Study Nürtingen 2

2010-11-21T20:19:00Z

Segab: /* Image Gallery */

File:ZadarCroatiaS5.JPG

2010-11-21T20:17:40Z

Segab: